Blood, Sweat & Tears ‎– No Sweat
 

Blood, Sweat & Tears

No Sweat

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Второй альбом Blood, Sweat & Tears без Дэвида Клейтон-Томаса. "No Sweat" считается самым джазовым альбомом BS&T. Удивительно, но большая часть материала альбома пришла со стороны, за исключением двух композиций Лу Марини младшего в соавторстве с Джорджем Уодениусом (ведущего гитариста группы после ухода Стива Каца), и заключительного трека "Inner Crisis", написанного Ларри Уиллисом. Джерри Фишер стал более интегрирован в группу в роли солиста и BS&T чудесно исполняет композиции группы Traffic "Empty Pages" и "Django"Джона Льюиса. Вершина альбома это "Almost Sorry", в которой замечательно звучат брабаны Бобби Коломби и соло всей духовой секции: Дэйва Барджерона на тромбоне, Лью Солофф и Том "Bon" Мэлоун на электрических трубах и Марини на альтовой флейте.


Альбом: No Sweat
Исполнитель: Blood, Sweat & Tears
Год выпуска: 1973
Время звучания: side 1 - 00:22:08; side 2 - 00:20:00
Жанр: Fusion, Jazz-Rock
Формат: FLAC (tracks)/ MP3 (320) (tracks)
Качество: Lossless
Количество треков: 12
Размер архива: flac - 847 Mb; mp3 (320kbps) - 98 Mb
Язык релиза: английский

Содержание:

A1. Roller Coaster - Arranged By, Clavinet – Larry Willis; Guitar [Solo] – George Wadenius; Percussion – Jimmy Meaulen; Rhythm Guitar – Steve Katz; Trumpet [Second] – Chuck Winfield; Written-By – Mark James - 3.25
A2. Save Our Ship - Alto Flute [Solo] – Lou Marini, Jr.; Arranged By [Horns] – Tom Malone; Arranged By [Strings, Horns], Conductor, Synthesizer [Arp] – Paul Buckmaster; Backing Vocals – Bobby Colomby, Joshie Armstead, Maeretha Stewart, Valerie Simpson; Programmed By [Arp Synthesizer] – Dave Hentschel; Written-By – Cynthia Weil; Written-By, Arranged By [Rhythm Section], Backing Vocals – George Wadenius - 3.40
A3. Django (An Excerpt) - Acoustic Guitar [Solo] – George Wadenius; Arranged By, Electric Piano [Solo] – Larry Willis; Written-By – John Lewis - 2.05
A4. Rosemary - Arranged By – Dave Bargeron; Written-By – Randy Newman - 3.10
A5. Song For John - Backing Vocals – Bobby Colomby, George Wadenius; Flugelhorn [Solo] – Lew Soloff; Programmed By [Moog Synthesizer] – Jimmy Robinson, Robert Margouleff; Synthesizer [Moog] – Larry Willis; Written-By, Arranged By, Soprano Saxophone [Solo] – Lou Marini, Jr. - 3.00
A6. Almost Sorry - Arranged By [Horns], Flute [Solo] – Lou Marini, Jr.; Backing Vocals – Bobby Colomby, Joshie Armstead, Maeretha Stewart, Valerie Simpson; Congas – Frank Ricotti; Guitar [Solo], Backing Vocals – George Wadenius; Programmed By [Arp Synthesizer] – Ken Scott; Synthesizer [Arp], Trumpet [Solo] – Tom Malone; Trombone [Solo], Tambourine – Dave Bargeron; Trumpet [Leslie Solo] – Lew Soloff; Written-By – Doug Lubahn, Jeff Kent - 6.24


B1. Back Up Against The Wall - Arranged By – Blood, Sweat And Tears; Backing Vocals – Jerry Fisher; Bass [Fender] – Tom Malone; Rhythm Guitar – Jim Fielder; Written-By – Buddy Buie, J.R. Cobb - 3.10
B2. Hip Pickles - Bass Trombone [Solo] – Dave Bargeron; Written-By, Arranged By – Lou Marini, Jr. - 1.40
B3. My Old Lady - Arranged By [Strings], Conductor, Synthesizer [Arp] – Paul Buckmaster; Backing Vocals – Jerry Fisher; Programmed By [Arp Synthesizer] – Dave Hentschel; Soprano Saxophone [Solo] – Lou Marini, Jr.; Written-By – Cynthia Weil; Written-By, Arranged By [Rhythm Section] – George Wadenius - 3.15
B4. Empty Pages - Arranged By – Tom Malone; Backing Vocals – Jerry Fisher; Clavinet – Larry Willis; Guitar [Solo], Percussion – George Wadenius; Percussion – Steve Tyrell; Written-By – Jim Capaldi, Steve Winwood - 3.10
B5. Mary Miles - Arranged By – Larry Willis; French Horn, Flugelhorn – Chuck Winfield; Written-By – Michael Rabon - 2.20
B6. Inner Crisis - Guitar [Solo], Voice [Solo] – George Wadenius; Percussion – Frank Ricotti; Programmed By [Arp Synthesizer], Synthesizer [Arp] – Dave Hentschel; Written-By, Arranged By, Piano [Acoustic Intro] – Larry Willis - 5.33


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Manufactured By – Columbia Records
Manufactured By – CBS Inc.
Phonographic Copyright (p) – CBS Inc.
Copyright (c) – CBS Inc.
Pressed By – Columbia Records Pressing Plant, Terre Haute
Mastered At – Sterling Sound

Acoustic Guitar, Electric Guitar, Backing Vocals – George Wadenius*
Artwork By [Cover Design] – John Berg
Bass [Fender], Rhythm Guitar – Jim Fielder
Drums, Percussion, Backing Vocals – Bobby Colomby
Engineer [Recording] – Ralph Moss
Flute, Piccolo Flute, Alto Flute, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone – Lou Marini, Jr.*
Lacquer Cut By – Bob Ludwig
Lead Vocals, Backing Vocals – Jerry Fisher
Mixed By – Ken Scott, Ralph Moss (tracks: A3, A5, B1, B2, B4)
Mixed By [Assistant] – Ted Sharp
Photography – Horn/Griner
Piano [Acoustic], Electric Piano, Clavinet, Organ, Synthesizer [Moog] – Larry Willis
Producer – Steve Tyrell
Recorded By [Recordist] – Lou Waxman
Trombone [Tenor], Bass Trombone – Dave Bargeron
Trumpet [First], Flugelhorn [First] – Lew Soloff
Trumpet [Second], Flugelhorn [Second], Trombone [Tenor], Flute, Bass [Fender], Tenor Saxophone, Alto Flute – Tom Malone

Gatefold sleeve. Comes with info sheet.

"This album is dedicated to George Brewer."

Recorded at Electric Lady Studios, New York City, and Trident Studios, London.

(C)1973 CBS, Inc./(P)1973 CBS, Inc.
Manufactured by Columbia Records/CBS, Inc.

Matrix / Runout (Side 1 Runout Etched): T1 PAL-32180-2B
Matrix / Runout (Side 2 Runout Etched): T1 PBL-32180-2B
Matrix / Runout (Stamped Both Sides): STERLING
Matrix / Runout (Side 1 Runout Etched (variant 2)): PAL-32180-2A RL
Matrix / Runout (Side 2 Runout Etched (variant 2)): PBL-32180-2A RL
Matrix / Runout (Stamped Both Sides (variant 2)): STERLING

Код класса состояния винила: Near Mint (NM)
Устройство воспроизведения: Gründig PS 4500
Предварительный усилитель: "Marantz"
Программа-оцифровщик: WaveLab
Обработка: регулировка уровня громкости программой iZotope RX3,
рип мой


Страна: USA
Издатель (лейбл): Columbia ‎– KC 32180
Формат: FLAC / MP3 (320)
Параметры: Vinyl, LP, Album, Gatefold, Rip, tracks, no cue, no log
Источник: виниловый альбом из коллекции друга

Уважаемый shurele, а есть ли возможность кодировать такие замечательные пластинки в более высоком качестве, например 24/192? Блин, даже на своей пока ещё средненькой аппаратуре слышу разницу...
Спасибо!

А я кодирую 24/96000. Что не так?